Showing posts with label Sf in India. Show all posts
Showing posts with label Sf in India. Show all posts

Saturday, September 13, 2014

Report of the 14th Science Fiction Conference in Kochi, India


Popularizing Science Writing and Celebrating Science Fiction: A Report of the 14th Science Fiction Conference in Kochi, India .
(First appeared in Locus, Locus June 2014, VOL 72 NO 2)

M.H. Srinarahari 

Seated: N.D. Ramakrishnan, Dominic Alessio, C.G. Ramachandra Nair, A.P. Helen, T.P. Srinivasan, Rajashekharan Pillai, K.S. Purushothaman, Frank Roger,Krishnan Kutty, Arvind Mishra, M.H. Srinarahari.

The Indian Association for Science Fiction Studies (IASFS) organized the 14th science fiction conference in collaboration with the Department of English of St. Teresa’s College in Kochi, February14-16, 2014 at Kerala State in India. The state has the highest literacy in the country, with Malayalam as the spoken language. It is astonishing to note that no remarkable contribution has yet been made by Keralites to the SF genre. IASFS hoped to create a platform for the younger generation to be exposed to SF through the world conference. During the inaugural session, in his annual report on IASFS, General Secretary M.H. Srinarahari mentioned that in 1988 the magazine 2001 from New Delhi ran an interview conducted via satellite with Isaac Asimov in the US. The interview was

carried out by the team of Mukul Sharma (Editor, 2001 ), Chandan Mitra (coordinator), and The Times of India assistant editor Jug Suraiya. That interview marked the beginning of the second wave of the World Science Fiction movement in India. Exactly a decade later, the Indian Association for Science Fiction Studies was established, on January 2, not only Asimov’s birthday but also the centennial of the publication of Indian SF work ‘‘Agosh’’ by scientist Jagadishchandra Bose. IASFS promotes research work in the field of SF. It has organized 11 National conferences, at Chennai, Gandhigram, Pondicherry, Aurangabad, Bangalore, and Mysore.

The three world conferences were held consecutively at Coimbatore, Pune, and Kochi.After the traditional invocation, former Ambassador, vice-chairman, and executive head of Kerala State Higher Education Council T.P. Srinivasan lit a lamp symbolizing the inauguration of the conference. In his speech he imagined how scientific progress would progress in the next 50 years. He predicted highly sophisticated vehicles which would transport him to the venue of the conference without the present traffic jams, and indicated that on his arrival at the venue, his thoughts would have been transformed into a written speech in any desired language. He also foresaw that the massage between the real and the virtual worlds would be narrowed. The executive vice president and ex-officio principal secretary of Kerala State Council of Science & Technology Education Rajashekaran Pillai delivered the presidential address narrating how the state government programs have been successful in popularizing science writing.

In his keynote address, Dr. Ramachandran Nair not only tried to define SF but also went back to 500 BC, when an ancient Indian scripture Yoga Basista made attempts to introduce SF elements in his creations. He acknowledged the works of Jules Verne, Arthur C. Clarke, Raymond Jones, John Christopher, Frederic Brown, John Wyndham, Robert Heinlein, Daniel Keyes, Tom Godwin, Clifford Simak, Fritz Leiber, Isaac Asimov, and Jayanth Narlikar, and spoke about the contribution of British and American SF writings in the growth of the genre. He drew the conclusion how SF has moved from possibility to plausibility. IASFS President Purushothaman highlighted the

gradual increase in the number of participants from the first conference until today. Malayalam science writer Krishnan Kutty and SF writer Arvind Mishra were honored on this occasion. Speaking on the occasion, Mishra appreciated the years of efforts of IASFS in bringing all the SF aspirants together in the country.Frank Roger, a leading SF writer from Belgium, said that he had attended a number of conferences in North America, but this was his first in India. Alessio Dominic, a history professor & dean of international programs from Richmond American International University in London, expressed his happiness in finding the present conference to be unique compared to others. Dr. Helen, the principal of the college, highlighted the achievements of the students during its 125 years of establishment. Dr. Celine welcomed the gathering, and Dr. Renuka gave the vote of thanks.

There were eight plenary sessions during the three-day conference. Professor Rangarajan spoke on ‘‘The Signs of Science Fiction and Nebulous Itineraries’’. In his speech he tried to trace the history of science from Homer’s Iliad. Dr. C.G. Ramachandra Nair, former chairman, of the Science, Technology, Environment committee and ex-officio Secretary to the government of Kerala and former dean of the Faculty of Science at the University of Kerala spoke on ‘‘The Enchanting Worlds of Modern Science Fiction’’. Atanu Bhattacharya spoke on Bengali SF and explained how different the Indian atmosphere is in the development of SF compared to the West, as the English departments in Indian Universities are still skeptical in considering SF as a research topic. The luminaries of the Malayalam SF sessions were Professor Babu Joseph, Professor S. Shivadas,Professor V.P.N. Namboodiri, Dr. Ambatt Vijayakumar, G.S. Unnikrishnan, and P.N. Krishnankutty. Professor Thomas Mathew chaired the session.


G.S. Unnikrishnan, a leading science writer in Malayalam, spoke on ‘‘Writing Science for Children of the New Age’’. He expressed the utmost importance of creating future scientists and scientific enthusiasts during this super-scientific age. Science literature in our country has to become better equipped to meet this challenge. He observed that since the children are already exposed to the media, media should cater to their needs. Science writers should shift to new ways and styles of writing rather than sticking to the traditional Chandamama style of writing. Being a science writer, Unnikrishnan thinks one should be choosy in selecting topics, and should make use of broad-based ideas, primary sources, focusing on a particular point, re-organizing the ideas, enjoying the research, and writing about what is interesting for the author. Sharing his personal experience, he suggested that different methods of writing fiction and non-fiction matter. In his lengthy speech, the agricultural official suggested that for successful writing one has to think like a child, play with words, bring conversations, and try unusual formats like turning the straight narrative into a mystery, a quiz, show, a puzzle, or some other innovative mode. While doing so, one has to link new information to something kids already know. He suggested using storytelling techniques, making use of reliable sources, and knowing one’s own market. Lastly, Unnikrishnan suggested that good science books need to be translated from English into the Indian vernacular languages. He has observed that translated works on topics like DNA, satellites, immunology, light, and planet Earth are liked by children.

Another science writer, Malayalam Shivadas,initially established how effective fiction writing is and called for writers to shift their writing from the traditional form to one which inspires, imparts lofty feelings, induces great ideas, and uplifts human mind. Citing the attempts made by P.T. Bhaskara Panicker and N.V. Krishna Warrier, the pioneers in establishing Kerala Sastra Sahitya Parishad, he acknowledged the way they inspired authors to write for children. Speaking about the latest trends in science writing in the Malayalam language, Shivadas observed increases in eco-spirituality and ecological ethics in stories. Dominic Alessio presented a paper on ‘‘Re-thinking the History of Science Fiction, Space Exploration from a British Colonial Perspective: The Tale of New Zealand’s The Great Romance (1881)’’. The first volume accounts the 19th-century protagonist John Brenton Hope, who awakes after 193 years of deliberate chemical sleep and discovers a wonderful future society replete with mechanical marvels, immense orderly metropolises, and a beautiful young woman named Edith Weir. Though the second volume is a continuation of the journey, it describes the spaceship Star Climber

which helps colonize Venus. Alessio discovers that this is the first work in the history of science fiction which seriously deals with colonization and alien species in particular. Speaking on his ‘‘life in science fiction,’’ Frank Roger said that he got introduced to SF at age 14. At that time Philip K. Dick and J.G. Ballard were his favorite authors. The former made use of philosophy and the latter made a powerful impact on Frank with his poetic style, original treatment of ideas, and avoidance of traditional themes and formats. Being in Belgium, he learned Dutch, English, and French, and experimented with SF writing in different languages, resulting in the production of more than 500 SF short stories to date. He made notes on whatever he observed during his journeys and when meeting people, and a few have been used in short stories. His new book The Burning Woman is the result of an observations made when he was 17. His works are typically Belgian in nature, very international in scope, and have been translated into 40 languages.

Two SF books written in the English language were released during this event, one by a young writer and the other by a veteran SF writer. The Greek Mission (2013) by 14-year-old Venkatesh Vijay is published by Penguin India. The Blake brothers are archeologists who travel to the future, and to the God’s world. Bhoosnurmutt’s ‘The Art and Craft of SF/F Writing’ (2014), published by Vaibhavi Prakashana, deals with the ideas, format, and techniques of writing stories.

An interview with SF writers from different vernacular languages was arranged in one of the sessions. Dr. Arvind Mishra (Hindi), Venkatesh Vijay (English), Rajashekhar Bhoosnurmutt (Kannada), Nellai S. Muthu (Tamil), N.D. Ramakrishnan (Malayalam), Frank Roger, and Dr. Dominic Alessio took part in the session. The topics discussed included what is and what is not SF, forms of SF, and how each of the interviewees became SF writers.The session generated maximum interaction from the delegates and dignitaries. Srinarahari summarized and gave the concluding remarks.

James E. Gunn, founding director of the Center for Science Fiction Studies at Kansas University, was to be the conference’s Guest of Honor. Gunn said he accepted the invitation because he wanted to meet Srinarahari, who has been in constant touch with him for two decades, during his days as an Asimov scholar. Due to health reasons, Gunn could not attend, but recorded a speech that was played during the conference, in which he saluted the tremendous progress of the genre in India in a short span of time. One of the interesting aspects of SF is the way the development of the genre took shape in different countries. According to Gunn’s theory, the acceptance of science fiction is related to industrial revolution and the way it changes people’s lives.

The industrial revolution changed the course of civilization, and people’s attitudes toward existence. Writers recognized that the nature of existence was being changed by science and technology and responded with stories speculating about those changes. Mary Shelley from Britain, Edgar Allan Poe from the US, Jules Verne from France, and H.G. Wells from Great Britain all wrote stories contributing to the development of the genre. Gunn discussed the types of stories published from the pulp age, including detective, love, and weird fiction, and then to the non-pulp quality of stories published under the guidance of John W. Campbell and others.

He drew special attention to the turning point of Michael Moorcock’s editing and writing in Great Britain. The New Wave shifted the emphasis from the exploration of the outer world to the inner world. At the same time, novels shifted from magazine to book publication, and the number of books produced increased every year. Speaking about later movements, he explained in detail the cyberpunk movement pioneered by William Gibson. Praising the part played by present-day SF magazines, Gunn said the magazines still play a vital role in providing new ideas and introducing new authors. He mentioned a few magazines in particular, namely Hayakawa’s SF Magazine of Japan, China’s science Fiction World, and Britain’s Interzone. Throwing light on the digital revolution and online publications, Gunn observed that many authors were taking on multiple roles like editor and publisher, raising the question of how to maintain quality in a world where information is often freely accessible. Gunn asserted that SF gave him enough imagination, suspense, adventure, speculation, and unique ideas in his childhood to allow him write it, teach it, and write about it for the rest of his life. He hopes that SF will continue to entertain, instruct, and inspire further. Concluding his speech, Gunn quoted Fred Pohl’s remarks from a convention in Hungary where he said that SF has the ability to make us all brothers. He called SF the literature of the human species, and said we are its citizens and its custodians.

One hundred and five papers were presented during the conference. Dr. Srinarahari, Dr. Panneer Selvam, and every member of the faculty of English at St. Teresa’s College chaired the sessions. As movies are easily accessible over the net and are captivating for the young, papers presented on science fiction movies out numbered other forms. Films discussed include Avatar, Hancock, Ender’s Game Signs, War of the Worlds, Transformers, ET, I am Legend, Resident Evil Series, Quarantine Terminal, The Matrix, The Matrix Reloaded, The Matrix Revolutions, Jurassic Park, Gravity, 12 Monkeys, The Last Man on Earth, Oblivion ,Solaris, Prometheus, The Rise of the Planet of Apes, Slither, Enthiran, Star Wars: The Phantom Menace, and others.

Various literary theories and approaches were discussed about the following works: Mary Shelley’s Frankenstein, Jules Verne’s20 ,000 Leagues under the Sea and Journey to the Centre of the Earth , Salman Rushdie’s Grimus , Robinson’s Red Mars , Dune: use Atreides by Kevin J Anderson & Brain Herbert, Aldous Huxley’s Brave New World , Ursula K. Le Guin’s The Left Hand of Darkness, Ian McEwan’s short stories, Isaac Asimov’s I Robot and Foundation series, William Gibson’s Neuromancer , Richard K. Morgan’s Altered Carbon , Neal Stephenson’s Snow Crash ,Margaret Atwood’s The Handmaid’s Tale , Robert Louis Stephenson’s Dr. Jekyll and Mr. Hyde The Calcutta Chromosome by Amitav Ghosh, Hadrian’s Eve’s Tomb , George Orwell’s 1984 ,H.G. Wells’s The Time Machine and The Invisible Man,Fahrenheit 451 by Ray Bradbury, and the works of Jayanth Narlikar, Niranjan Ghate, and Bal Phondke, as well as C. Radhakrishnan’s Ullil Ullathu . .

There were also papers on ‘‘Fictionalizing Science’’, ‘‘Science Fiction: Importance and Future’’, ‘‘Prophesying Life and Technology’’, ‘‘SF in Malayalam’’, ‘‘Hindi SF’’, ‘‘Kannada SF’’, ‘‘Marathi SF’’, ‘‘Science Fiction in Class room Teaching’’, ‘‘Science fiction in ancient Indian myth’’, ‘‘Artificial Intelligence’’, ‘‘Humanizing Robots’’, ‘‘ExtraTerrestrials’’, ‘‘Worlds of Imagination’’ and others.

Scholarly papers were presented by teachers and students of different faculties from Kerala, Tamilnadu, Karnataka, Andhra Pradesh, Maharashtra, Uttara Pradesh, Gujarath, Pondicherry, West Bengal gal, and Delhi. The common experience among the participants is that science fiction has no barriers of age, creed, race gender, qualification, experience, countries, borders, and others. Everyone could breathe and feel SF.


With permission from Shri M.H. Srinarahari.

Thursday, March 1, 2012

India and Science-Fiction – Like Two Peas in an Escape Pod!


India
and Science-Fiction – Like Two Peas in an Escape Pod!

India is no stranger to the instincts which lie behind science-fiction. Ancient mythologies talk of flying machines for example.

Evidence of science fiction in India can be found as far back as 1500 BC in the ancient Vedic literature. In these texts, there are many descriptions of unidentified flying objects referred to as “vimanas.” These “vimanas” can be of two types: “manmade crafts that resemble airplanes and fly with the aid of birdlike wings or un-streamlined structures that fly in a mysterious manner and are generally not made by human beings”.

The impulse to describe what other worlds might be like and how mankind could fashion new devices and manners of behaving is surely common to many cultures – in this, Indian culture is no different. 

Why India needs science-fiction like never before

India is a powerful emerging player on the world's technological stages. Just one example can illustrate this point: from a base of 6800 IT-related knowledge workers in the mid-1980s, the population expanded exponentially to as many as 522,000 in the early 2000s. What's more, by 2015 this number will have increased to 3.5 million workers – outdoing even the USA itself. Yet compare the mainly US tradition of science-fiction during the Golden Age with that of its Indian equivalent. Whilst the integrity and historical precedents of the Indian example are not in doubt, in quantity and level of output, if nothing else, the US clearly surpasses anything India has produced.

The US has, of course, had a much longer and deeper relationship with technology. Its earlier manifestations of a rather “hard sci-fi” – where narratives and character development played a secondary role to that of imagining new environments, gadgets and beings – certainly fed off this fascination and practice with new technology and scientific progress in the real world. But it wasn't a parasitical relationship as such. If anything, it would be better described as symbiotic. Yes, cars  were invented and manufactured by the Henry Fords of this world before many science-fiction writers imagined them flying – but, equally, TV programmes like “Star Trek” in the 1960s appeared to have imagined the iPad long before it was thrust, just a few years ago, on an unsuspecting world.



After all, you can't create a new world without imagining it first. 

Which is where, if you're need a reason to put India and science-fiction together, you will surely find the evidence you're looking for. There are bound to be Indian writers who have both the imagination and the forethought to be able to create their own dystopian sci-fi worlds without the need to jump on a cruise ship and experience the US sci-fi experience. 

A new literature, a new way of seeing the world

In the light of the US experience, then, isn't it clear where India needs to head? With a mushrooming population of technology-savvy workers able to create, reprogram, hack into and profoundly understand almost every new device and technological advance, the potential market for science-related content is ripe for a new literature – a literature which builds on India's honourable legacy and yet, at the same time, manages to free it from the past.

In a country as profoundly complex as India, science-fiction is perfectly positioned to devise those alternative and parallel universes of thought – universes which have already allowed very many other cultures to examine themselves not only intelligently but also safely; not only from a distance but also with perspicacity.

Imagineers of our societies

If science-fiction can offer a nation like India anything, it is the freedom to imagine its future. In a world which is now changing so quickly, the future is too important to be left in the hands of just the politicians, scientists or educators. For writers – perhaps the first group of knowledge workers which ever existed – also have their noble place.

Without technology, these days most writers would be lost. But without writers – imagineers, if you like, of the very tapestry of our societies – so would everyone else.

In science-fiction, technology and the writerly arts are bound as one.

And India will need both – if she is to advance with any wisdom into the brave new world which surely awaits.


 This article is written by Katie Corder who has introduced himself as a professional copy writer for science fiction in India ..looks interesting! Isn't it? 

Wednesday, August 8, 2007

Science Fiction in India;An Overview

Science Fiction in Hindi – An Overview

Arvind Mishra

Indian Science Fiction Writers' Association

16, Cotton Mill Colony,

Chowkaghat, Varanasi-221002

{Email : dr_arvind3@rediffmail .com.}

Although the roots of Hindi science fiction (sf) could be traced in the mythical mists of ancient times especially in Sanskrit scriptures, the genre in its true sense only emerged with the serial publication of 'Aascharya Vrittant' (A strange tale!), by the veteran mainstream Hindi writer, Ambika Datt Vyas in 'Piyush Pravah' - a Hindi literary magzine, during 1884-88. (Mishra, 2000; Singh, 2002; Prasad, 2004). This landmark of early Hindi sf publication seems to be inspired by Jules Verne's "Voyages extraordinaries" and narrates breathtaking story of Gopinath- main protagonist of the novellete, who undertakes an adventurous journey underneath the earth. The novellete has a happy ending as Gopinath and his two accomplices somehow emerge out from beneath the earth unharmed. There are many mind boggling scenes interwoven with the mystery and suspense in the novellete. This was a kind of writing unknown to the contemporary Hindi audience. Almost fiften years later came another adventure story 'Chandra Lok Ki Yatra' (A journey to moon), this too markedly influenced by Jules Verne's writings. The story was written by Babu Keshav Prasad Singh and was published in a renowned Hindi literary magzine, 'Sarswati' (Vol 1, part 6, June 1900). The twin stories initiated writing of an unconventional kind of fiction in Hindi which was later identified as genre sf. Many critics however consider the twin stories mere the reflection of a western literary trend and not the outcome of our own mainstream literary movement.

Proto Science Fiction

The penultimate and last decade of 19th century also witnessed the profound impact of yet another kind of hitherto unfamiliar style of writing in Hindi termed as ' Tilism Sahitya' (Talisman!) and propounder of this kind of literature was the veteran mainstream Hindi writer Devakinandan Khatri. His novels 'Chandra Kanta' (1888) and ' Chandra Kanta Santati (1896) were very popular in Hindi and people from other regions and languages learned Hindi to enjoy these classics of Hindi literature. It could be argued that these novels contained certain elements of sf and therefore might be regarded as Proto science fiction (Mishra, 1984) but opinions differ (Mishra, 1989; Mewadi, 1984; Singh, 2002; Goyal, 2004). Such 'Tilism" stories did contain the wonderment and cerrtain gadgetary descriptions often encountered in genre sf but lacked the sound scientific themes essential to sf stories. Although there were other mainstream sf writers like Swami Satyadev Parivrajak, whose 'Aascharya Janak Ghanti' was published in ' Sarswati' in 1908, only a few other mainstream authors could be credited as sf specialists.Among them, the most illustrated was famous mainstream Hindi writer Rahul Sankrityayan. He is credited for his magnum opus sf 'Baisavee Sadi' (The 22nd century) - a novel written in 1924. 'Baisavee Sadi' is excellent example of an utopia set in 22nd century A.D. in which author had beautifully described a future society which embodied the political and social reforms of 2124AD caused by technological advancements. It appears that Hindi sf wrting before 1930's was mostly the mainstream writing as sf published in the magzines were not labelled as sf. But it was certainly a period in which Hindi sf was beginning to take its shape as an identifiably distinct genere though many favourite sf themes were produced as nongenre sf. After 1930, Yamuna Datt Vaisnav 'Ashok' had a profound influence on 'genre sf' writing and wrote far and away the most interesting and readable real sf ever published. It was infact his contributions that Hindi sf began to establish its identity amongst mainstream fiction writers.

Prominent Writers

The prominent writings of Yamuna Datt Vaisnav 'Ashok' include, 'Asthi Pinjar' (1947), 'Apsara Ka Sammoohan' (1967), 'Chakshudan' (1948), Himsundari (1971) etc, all anthologies containing beautiful sf stories. It is evident that he wrote genre sf in a continuous and sustained way and on a variety of themes from technological inventions and associated impacts on political and social systems of predicted human societies. Before 1960's thus there were sporadic and isolated works of an interrupted tradition of sf writing with only exception being the contributions made by Yamuna Datt Vaisnav 'Ashoka'. He is also credited to have inculcated a sort of indianness in his stories.

Dr. Naval Bihari Mishra's noteworthy contributions to enrich the genre sf in 1960's demand a special mention. Inspired heavily by western sf writing movements he accepted the challenge of enriching Hindi literature further with this relatively new kind of fiction. His many original contributions and translated versions of Jules Verne's voyage stories appeared in 'Vigyan Jagat' (Indian Press, Allahabad) and 'Vigyan Lok' (Mehra Newspapers, Agra) during 1960's.

Incursions though of welcome kinds into sf writing in Hindi were also made by few well known Hindi litterateurs who usually worked outside the genre, notably Dr. Sampurnanand (Prithvi Se Saptarshi Mandal, 1953), Aacharya Chatursen Shastri (Khagras, 1960). They also persuaded other contemporary Hindi litterateurs to enrich this emerging genre in Hindi but to no avail for a long time.

First Boom

The first boom in genre sf writing in Hindi took place in the 1970's with the appearance on the scene by prolific writers like Kailash Sah, Maya Prasad Tripathi, Shukdev Prasad, Rajeshwar Gangavar and Devendra Mawadi who among others regularly contributed to the enrichmentment of Hindi genre sf writing. Devendra Mewadi's contributions inspired many younger writers including the authors of this write-up to the wonder world of Hindi sf writing. His two anthologies 'Bhavisya' (1994) and Kokh (1998) are immensely popular among Hindi readers.

The sf writers of 1970's set the stage of genre sf writing and the trend now became almost a mainstay in Hindi literature. But sf writing by and large still did not enjoy the due consideration by literary Hindi circle. The scenario called for an organisied effort to popularize Hindi sf writing amongst not only the limited readers of the genre but also amongst Hindi literati and a campaign to this respect was initiated by first author in late 1980's which culminated in establishing of a full fledge sf writers' organization - Indian science fiction writers' association (ISFWA) in 1995 as an autonomous body registered under socitieis registration act, 1860. ISFWA brings out ' Vigyan Katha' a quarterly fully devoted to sf since 2002 under the main editorship of Dr. R.R. Upadhyaya.

The Second Boom

A second boom in sf writing in Hindi began in late 1980's with the publication of 'EK Aur Kraunch Vadh' in the renowned Hindi literary magzine, 'Dharmyug' by Arvind Mishra. Many more new authors appeared afterwards, most of them being the members of ISFWA . The prominent ones among them were Dr. Rajiv Ranjan Upadhyaya (President of ISFWA), Harish Goyal (Vice President of ISFWA), Kalpana Kulshrestha, Zakir Ali ' Rajnish', Zeeshan Haider Zaidi, Manish Mohan Gore, Swapnil Bhartiya, Visnu Prasad Chaturvedi, Ajai Kumar etc. The most gifted Hindi woman sf writer is Kalpana Kulshrestha, the first woman to publish a Hindi sf anthology of her own selected sf stories named 'Beesavi Sadi Ki Bat (2005). Her stories are usually concerned with social aspects of human society and she herself coined the term, 'Socifi' for that kind of stories. Lately, Yugal Kumar has also joined the bandwagon.

In 2000 a major Hindi sf writing workshop was organized in Varanasi, U.P. under the aegis of ISFWA and was sponsered by National Council of Science and Technology Communication (NCSTC), New Delhi. The event brought together some of above popular names of science fiction writers as delegate participants. Many issues pertaining to Hindi sf wrting were discussed at length in the workshop and the proceeding is now available in published form (Upadhyaya, et.al., 2002)

Fiction and Fantasy

The both forms of sf writing i.e. ' fiction' and 'fantasy' (Asimov, 1981; Hollinger; 1999 ) are popular in Hindi (Mishra, 1984; 2000), but majority is skewed in favour of 'Fantasy' a kind of sf writing which encourages Hindi sf writers to express freely and more imaginatively. Hindi writers usually prefer imaginery sciences primarly to develop the plots of their stories on themes such as alternate worlds, antigravity, faster than light (FTL communication), invisibility and of course time travel etc. This growing trend of 'fantasy' elements in Hindi SF writing is often a matter of debate among Hindi sf writers and fandom (Mishra, 1990, 1992; Prasad, 2004).

The definition

Another debatable point of Hindi sf relates to its definition part and treatment of the stories accordingly. As sf gaint Issac Asimov has stated earlier " it is a measure of the richness of the field that no two of its practitioners are liable to agree on even something as fundamental as its definition..." (Asimov, 1981), the Hindi sf writers genuinely seem to be widely devided over the issue and the scope of the nature of sf writing . A largely accepted world wide definition of sf reveals that it is deliberately anachronous and deals with phenomena, gadgetary, accomplishments far off (possibly) in the future. Some critics discourage this form of sf writing in Hindi (Prasad, 2004; Rajnish, 2000; Dubey, 2006) and emphasize that contemporary social backgrounds should also be dealt in Hindi sf along with scientifie details as per requirements of the story while others do not seem to compromise with the predominant western outlook that sf should necessarily depict only those events and social backgrounds that neither existed in past nor exist in present but only in future. Notwithstanding such debates the future of Hindi sf seems bright.

References :

1. Asimov, Issac. (1981). My own view; 'Asimov on Science Fiction'. Panther Books, Great Britain.

2. Dubey, Arvind. (2006). Personal Communication.

3. Goyal, Harish. (2004). 'Hindi Me Vigyan Kathaon Ka Samridh Hota Itihas'. Madhumati, Dec., 2004 : 26-37.

4. Hollinger, Veronica. (1999). Contemporary trends in scifi critisism, 1980-1999, SF studies, 78, 26, 2.

5. Mewadi, Devendra. (1984). 'Vigyan Katha Sahitya', Bhavisya, National Publishing House, New Delhi.

6. Mishra, Arvind. (1984). 'Saras Lok Vigyan', Lalit Kathayen, Fantasi aur Bhavisya Puran', Vigyan, 71, 11-12: 4-8.

7. Mishra, Arvind. (1989). 'Hamari Vigyan Kathaon me Vaigyanikata'. Bhartiya Bhashaon Me Vigyan Lekhan. Proceedings of National Symposium, Vigyan Parishad, Prayag : 223-228.

8. Mishra, Arvind. (1990). "Hindi Kahani Ki Ek Vismrit Hoti Parampara". Navbharat Times, Lucknow, 22 Feb : 7.

9. Mishra, Arvind. (1992) ' Mahaj Manoranjan Nahin Hain Vigyan Kathayen' Avishkar, Aug., 92: 322-325.

10. Mishra, Shivgopal. (1984). 'Hindi Upanyas, Tilism Tatha Kathayen' Vigyan, 71, 11-12 : 1-4,

11. Mishra, Shivgopal. (2000) 'Aascharya Vrittant'. Vigyan, 80, 2: 31-33.

12. Prasad, Shukdev. (2004). ' Vigyan Kathaon 'Ke Uts Ki Khoj' Bhartiya Vigyan Kathayen, (Edited). Kitab Ghar Prakashan, New Delhi : 8-31.

13. Prasad, Shukdev. (2005). Vigyan Kathaon Ke Yaksh Prasn, Indian Journal of Science Communication, Vol 4, (2) July-Dec. 2005 : 13-22.

14. Rajnish, Zakir Ali., (2006). Personal Communication.

15. Singh, Ajay. (2002). Hindi Sahitya Me Vigyan Katha, Ph.D. Thesis, Gorakhpur University.

16. Upadhyaya, R.R., Mishra, Arvind. (2000). Sanchar Madhyamo Ke Liye Vigyan Katha, Indian Science Fiction Writers' Association, Publi. Faizabad.

Saturday, July 7, 2007

NOTES AND COMMENTS

"sci fi in hindi"

10 Comments - Show Original Post Collapse comments

arvind said...

Chandralok ki yatra is not written by Kishorilal as mentioned but by Babu Keshav Prsad Singh.

5:51 AM

arvind said...

popular themes in hindi sci fi writing include memory transfer,planetary travels,mass transportation ,gm items etc.its very feretile field and writers are trying on many themes of their choice.

5:21 AM

arvind said...

Mr.Yugal kumar has also lately join the team of sf writers in india.

6:50 AM

arvind said...

sci fi writing is now gearing up in India,but writers are not often very certain of this genere's central idea.SF is basically an anachronous literature.So it should always be remembered that a sf story should not only depict the cotemporary world istead it should try to extrapolate the future of humanity.

6:49 AM

Comment deleted

This post has been removed by the blog administrator.

5:21 AM

arvind said...

No one seems interested in sf written in Hindi the official language of India,as no comments have been put on this page sice the post got published.IS ANY ONE ON EARTH interested in Indian sf?

6:48 AM

santosh said...

its really surprising that there is no taker of sf in hindi which is official language of India.Any explanation?

1:09 AM

arvind said...

still not any taker of Hindi sf!Its really surprising.come on please!

7:28 AM

Zakir Ali 'Rajneesh' said...

Badhayi.
Agar ise thoda aur vistar se de saken, to achcha ho.
Zakir Ali Rajneesh
zakirlko@gmail.com

11:21 PM

arvind mishra said...

thaks zakir. please help me to expand it.
arvind

8:59 AM

Delete

Indian science fiction writers association,India


It seems no one on the web is interested in Indian SF especially Hindi SciFi which is now coming out of a very long period of oblivion and annonimity.Recent efforts to popularize it by Indian sci Fi writers' Association(ISFWA) is commendable .ISFWA is an autonomous organization with at least 50 active sf writers as it's member.It's quarterly publication of sf stories' VIGYAN KATHA'is first of its kind in India.

Science Fiction Writers Meet In India
8th sci fi writers conference was inaugurated by messiah of Indian sci fi writing Jayant Narlikar.It was an unforgetable experience for me.Participants from many Indian languages and regions expressed their concerns over the state of sf writing in Hindi,Tamil,Marathi,Bengla.Assami,Kannad,Malayalam etc.Auarangabad,Maharastra,India thus became a launch-pad for making Indian scifi a global phenomenon.The dates of the great event ie11 and 12th nov 06shall remain with the golden tinge in history of Indian sci fi.Now looking forward to seeing such a nice event again possibly in Varanasi,cultural and spirutual city of India.

Indian scifi meets Jayant Narlikar
A grand scifi writers meet was organised by Indian assosiation of sci fi studies(IASFS),Vellore,Andhra Pradesh,India on 11th and 12th Nov 06 at Aurangabad,a historical city of Maharastra state of India in cllaboration with Marathi Vigyan Parishad and Viggyan Prasar,New Delhi.The event was inaugurated by messiah of Indian scifi, Jayant Narlikar who spoke at length on many aspects of sci fi,its defininition,good and bad scifi,Indianness in sci fi etc.It was infact 8th Indian scifi writers conference and was represented by warlords of sf writers of many Indian languages including Hindi,Bengla,Assami,Kannad,Marathi,Telagu,Malayalam etc.Another attraction of the event was a lively video conferecing with James Gunn,Head of scifi dept., kansas varsity,USA who inter-ailia spoke on cultural effects on scifi writing. President,IASFS Mr.Purusotthaman also delivered a lecture on scifi writings in different Indian languages.Prof.Narhari spoke on Indian response to world sf.The author of this blog presented an overview cn status of scifi writing in Hindi.Devendra Mewadi a veteran Hindi sf writer also spoke on Hindi sf, The event was a greaf success.

scifi writers in India


Following is the list of prminent sci fi writers in India
In addition to author of this blog,
Shri Devendra Mewari
Zakir ali Rajanish
Manish Mohan Gore
Zeeshan Haidar Zaidi
Ms.Kalpana Kulshresta

Swapnil Bhartiya AND Harish Goyal.
Yugal Kumar is yet another sf writer who has published a few stories
recently. He and his wife Ms Kalpana kulshresta are only couple who both are
writing sf in Hindi.Dr.Rajiv ranjan upadhyaya is president of Indian science fiction writers society and is actively engaged in promotion of the genre.HE HAS PUBLISHED FEW ANTHOLGIES OF HIS OWN STORIES. Other reputed sci fi writers are Jeeshan haider Zaidy and Amit kumar. The list is yet incomplete...

india-scifi

According to some critics like Dr.Shivgopaln Mishra(2000) Aascharya Vrittant written by Amika datt Vyas should be credited as first sf written in Hindi.I tend to agree with the claim.The novellette was publishe ina serial form during 1884-1888 in PEEYUSH PRAVAH aliterary magzine published from Madhya pradesh ,India.This is influeced by Jules Verne'A journey to the centre of the earth'.

sci fi in hindi


Science fiction in India especially in Hindi is in its nascent stage. Though it began in 1900 with the publication of 'chandralok ki yatra' by Babu Keshav prasad singh in Saraswati, a noted Hindi magzine,its only with the advent of Indian Science Fiction Writers Association-ISFWA in 1995 UNDER SECRETARYSHIP OF Dr. ARVIND MISHRA THAT SF WRITING IN INDIA gathered momentum.Presently Arvind mishra, Devendra mewari,Kalpana kulshresta,Harish Goyal, Dr R R Upadhyaya,Zakir Ali Rajanish, Zeeshan Haider Zaidy, and a young writer Manish Mohan Gore is active in this field.Dr. R. R. Upadhyaya is president of ISFWA.Mr Yugal kumar has lately published a few stories.Swapnil Bhartiya has alredy acqured a reputed status.