Science fiction in India has lately emerged as a respectable literary genre. Please join me to have a panoramic view of Indian science fiction.
Saturday, September 13, 2014
Report of the 14th Science Fiction Conference in Kochi, India
Thursday, March 1, 2012
India and Science-Fiction – Like Two Peas in an Escape Pod!
India and Science-Fiction – Like Two Peas in an Escape Pod!
India is no stranger to the instincts which lie behind science-fiction. Ancient mythologies talk of flying machines for example.
Evidence of science fiction in India can be found as far back as 1500 BC in the ancient Vedic literature. In these texts, there are many descriptions of unidentified flying objects referred to as “vimanas.” These “vimanas” can be of two types: “manmade crafts that resemble airplanes and fly with the aid of birdlike wings or un-streamlined structures that fly in a mysterious manner and are generally not made by human beings”.
The impulse to describe what other worlds might be like and how mankind could fashion new devices and manners of behaving is surely common to many cultures – in this, Indian culture is no different.
Why India needs science-fiction like never before
India is a powerful emerging player on the world's technological stages. Just one example can illustrate this point: from a base of 6800 IT-related knowledge workers in the mid-1980s, the population expanded exponentially to as many as 522,000 in the early 2000s. What's more, by 2015 this number will have increased to 3.5 million workers – outdoing even the USA itself. Yet compare the mainly US tradition of science-fiction during the Golden Age with that of its Indian equivalent. Whilst the integrity and historical precedents of the Indian example are not in doubt, in quantity and level of output, if nothing else, the US clearly surpasses anything India has produced.
The US has, of course, had a much longer and deeper relationship with technology. Its earlier manifestations of a rather “hard sci-fi” – where narratives and character development played a secondary role to that of imagining new environments, gadgets and beings – certainly fed off this fascination and practice with new technology and scientific progress in the real world. But it wasn't a parasitical relationship as such. If anything, it would be better described as symbiotic. Yes, cars were invented and manufactured by the Henry Fords of this world before many science-fiction writers imagined them flying – but, equally, TV programmes like “Star Trek” in the 1960s appeared to have imagined the iPad long before it was thrust, just a few years ago, on an unsuspecting world.
After all, you can't create a new world without imagining it first.
Which is where, if you're need a reason to put India and science-fiction together, you will surely find the evidence you're looking for. There are bound to be Indian writers who have both the imagination and the forethought to be able to create their own dystopian sci-fi worlds without the need to jump on a cruise ship and experience the US sci-fi experience.
A new literature, a new way of seeing the world
In the light of the US experience, then, isn't it clear where India needs to head? With a mushrooming population of technology-savvy workers able to create, reprogram, hack into and profoundly understand almost every new device and technological advance, the potential market for science-related content is ripe for a new literature – a literature which builds on India 's honourable legacy and yet, at the same time, manages to free it from the past.
In a country as profoundly complex as India, science-fiction is perfectly positioned to devise those alternative and parallel universes of thought – universes which have already allowed very many other cultures to examine themselves not only intelligently but also safely; not only from a distance but also with perspicacity.
Imagineers of our societies
If science-fiction can offer a nation like India anything, it is the freedom to imagine its future. In a world which is now changing so quickly, the future is too important to be left in the hands of just the politicians, scientists or educators. For writers – perhaps the first group of knowledge workers which ever existed – also have their noble place.
Without technology, these days most writers would be lost. But without writers – imagineers, if you like, of the very tapestry of our societies – so would everyone else.
In science-fiction, technology and the writerly arts are bound as one.
And India will need both – if she is to advance with any wisdom into the brave new world which surely awaits.
This article is written by Katie Corder who has introduced himself as a professional copy writer for science fiction in India ..looks interesting! Isn't it?
India
Wednesday, August 8, 2007
Science Fiction in India;An Overview
Science Fiction in Hindi – An Overview
Arvind Mishra
Indian Science Fiction Writers' Association
16, Cotton Mill Colony,
Chowkaghat, Varanasi-221002
{Email : dr_arvind3@rediffmail .com.}
Although the roots of Hindi science fiction (sf) could be traced in the mythical mists of ancient times especially in Sanskrit scriptures, the genre in its true sense only emerged with the serial publication of 'Aascharya Vrittant' (A strange tale!), by the veteran mainstream Hindi writer, Ambika Datt Vyas in 'Piyush Pravah' - a Hindi literary magzine, during 1884-88. (Mishra, 2000; Singh, 2002; Prasad, 2004). This landmark of early Hindi sf publication seems to be inspired by Jules Verne's "Voyages extraordinaries" and narrates breathtaking story of Gopinath- main protagonist of the novellete, who undertakes an adventurous journey underneath the earth. The novellete has a happy ending as Gopinath and his two accomplices somehow emerge out from beneath the earth unharmed. There are many mind boggling scenes interwoven with the mystery and suspense in the novellete. This was a kind of writing unknown to the contemporary Hindi audience. Almost fiften years later came another adventure story 'Chandra Lok Ki Yatra' (A journey to moon), this too markedly influenced by Jules Verne's writings. The story was written by Babu Keshav Prasad Singh and was published in a renowned Hindi literary magzine, 'Sarswati' (Vol 1, part 6, June 1900). The twin stories initiated writing of an unconventional kind of fiction in Hindi which was later identified as genre sf. Many critics however consider the twin stories mere the reflection of a western literary trend and not the outcome of our own mainstream literary movement.
Proto Science Fiction
The penultimate and last decade of 19th century also witnessed the profound impact of yet another kind of hitherto unfamiliar style of writing in Hindi termed as ' Tilism Sahitya' (Talisman!) and propounder of this kind of literature was the veteran mainstream Hindi writer Devakinandan Khatri. His novels 'Chandra Kanta' (1888) and ' Chandra Kanta Santati (1896) were very popular in Hindi and people from other regions and languages learned Hindi to enjoy these classics of Hindi literature. It could be argued that these novels contained certain elements of sf and therefore might be regarded as Proto science fiction (Mishra, 1984) but opinions differ (Mishra, 1989; Mewadi, 1984; Singh, 2002; Goyal, 2004). Such 'Tilism" stories did contain the wonderment and cerrtain gadgetary descriptions often encountered in genre sf but lacked the sound scientific themes essential to sf stories. Although there were other mainstream sf writers like Swami Satyadev Parivrajak, whose 'Aascharya Janak Ghanti' was published in ' Sarswati' in 1908, only a few other mainstream authors could be credited as sf specialists.Among them, the most illustrated was famous mainstream Hindi writer Rahul Sankrityayan. He is credited for his magnum opus sf 'Baisavee Sadi' (The 22nd century) - a novel written in 1924. 'Baisavee Sadi' is excellent example of an utopia set in 22nd century A.D. in which author had beautifully described a future society which embodied the political and social reforms of 2124AD caused by technological advancements. It appears that Hindi sf wrting before 1930's was mostly the mainstream writing as sf published in the magzines were not labelled as sf. But it was certainly a period in which Hindi sf was beginning to take its shape as an identifiably distinct genere though many favourite sf themes were produced as nongenre sf. After 1930, Yamuna Datt Vaisnav 'Ashok' had a profound influence on 'genre sf' writing and wrote far and away the most interesting and readable real sf ever published. It was infact his contributions that Hindi sf began to establish its identity amongst mainstream fiction writers.
Prominent Writers
The prominent writings of Yamuna Datt Vaisnav 'Ashok' include, 'Asthi Pinjar' (1947), 'Apsara Ka Sammoohan' (1967), 'Chakshudan' (1948), Himsundari (1971) etc, all anthologies containing beautiful sf stories. It is evident that he wrote genre sf in a continuous and sustained way and on a variety of themes from technological inventions and associated impacts on political and social systems of predicted human societies. Before 1960's thus there were sporadic and isolated works of an interrupted tradition of sf writing with only exception being the contributions made by Yamuna Datt Vaisnav 'Ashoka'. He is also credited to have inculcated a sort of indianness in his stories.
Dr. Naval Bihari Mishra's noteworthy contributions to enrich the genre sf in 1960's demand a special mention. Inspired heavily by western sf writing movements he accepted the challenge of enriching Hindi literature further with this relatively new kind of fiction. His many original contributions and translated versions of Jules Verne's voyage stories appeared in 'Vigyan Jagat' (Indian Press,
Incursions though of welcome kinds into sf writing in Hindi were also made by few well known Hindi litterateurs who usually worked outside the genre, notably Dr. Sampurnanand (Prithvi Se Saptarshi Mandal, 1953), Aacharya Chatursen Shastri (Khagras, 1960). They also persuaded other contemporary Hindi litterateurs to enrich this emerging genre in Hindi but to no avail for a long time.
First Boom
The first boom in genre sf writing in Hindi took place in the 1970's with the appearance on the scene by prolific writers like Kailash Sah, Maya Prasad Tripathi, Shukdev Prasad, Rajeshwar Gangavar and Devendra Mawadi who among others regularly contributed to the enrichmentment of Hindi genre sf writing. Devendra Mewadi's contributions inspired many younger writers including the authors of this write-up to the wonder world of Hindi sf writing. His two anthologies 'Bhavisya' (1994) and Kokh (1998) are immensely popular among Hindi readers.
The sf writers of 1970's set the stage of genre sf writing and the trend now became almost a mainstay in Hindi literature. But sf writing by and large still did not enjoy the due consideration by literary Hindi circle. The scenario called for an organisied effort to popularize Hindi sf writing amongst not only the limited readers of the genre but also amongst Hindi literati and a campaign to this respect was initiated by first author in late 1980's which culminated in establishing of a full fledge sf writers' organization - Indian science fiction writers' association (ISFWA) in 1995 as an autonomous body registered under socitieis registration act, 1860. ISFWA brings out ' Vigyan Katha' a quarterly fully devoted to sf since 2002 under the main editorship of Dr. R.R. Upadhyaya.
The Second Boom
A second boom in sf writing in Hindi began in late 1980's with the publication of 'EK Aur Kraunch Vadh' in the renowned Hindi literary magzine, 'Dharmyug' by Arvind Mishra. Many more new authors appeared afterwards, most of them being the members of ISFWA . The prominent ones among them were Dr. Rajiv Ranjan Upadhyaya (President of ISFWA), Harish Goyal (Vice President of ISFWA), Kalpana Kulshrestha, Zakir Ali ' Rajnish', Zeeshan Haider Zaidi, Manish Mohan Gore, Swapnil Bhartiya, Visnu Prasad Chaturvedi, Ajai Kumar etc. The most gifted Hindi woman sf writer is Kalpana Kulshrestha, the first woman to publish a Hindi sf anthology of her own selected sf stories named 'Beesavi Sadi Ki Bat (2005). Her stories are usually concerned with social aspects of human society and she herself coined the term, 'Socifi' for that kind of stories. Lately, Yugal Kumar has also joined the bandwagon.
In 2000 a major Hindi sf writing workshop was organized in
Fiction and Fantasy
The both forms of sf writing i.e. ' fiction' and 'fantasy' (Asimov, 1981; Hollinger; 1999 ) are popular in Hindi (Mishra, 1984; 2000), but majority is skewed in favour of 'Fantasy' a kind of sf writing which encourages Hindi sf writers to express freely and more imaginatively. Hindi writers usually prefer imaginery sciences primarly to develop the plots of their stories on themes such as alternate worlds, antigravity, faster than light (FTL communication), invisibility and of course time travel etc. This growing trend of 'fantasy' elements in Hindi SF writing is often a matter of debate among Hindi sf writers and fandom (Mishra, 1990, 1992; Prasad, 2004).
The definition
Another debatable point of Hindi sf relates to its definition part and treatment of the stories accordingly. As sf gaint Issac Asimov has stated earlier " it is a measure of the richness of the field that no two of its practitioners are liable to agree on even something as fundamental as its definition..." (Asimov, 1981), the Hindi sf writers genuinely seem to be widely devided over the issue and the scope of the nature of sf writing . A largely accepted world wide definition of sf reveals that it is deliberately anachronous and deals with phenomena, gadgetary, accomplishments far off (possibly) in the future. Some critics discourage this form of sf writing in Hindi (Prasad, 2004; Rajnish, 2000; Dubey, 2006) and emphasize that contemporary social backgrounds should also be dealt in Hindi sf along with scientifie details as per requirements of the story while others do not seem to compromise with the predominant western outlook that sf should necessarily depict only those events and social backgrounds that neither existed in past nor exist in present but only in future. Notwithstanding such debates the future of Hindi sf seems bright.
References :
1. Asimov, Issac. (1981). My own view; 'Asimov on Science Fiction'. Panther Books,
2. Dubey, Arvind. (2006). Personal Communication.
3. Goyal, Harish. (2004). 'Hindi Me Vigyan Kathaon Ka Samridh Hota Itihas'. Madhumati, Dec., 2004 : 26-37.
4. Hollinger, Veronica. (1999). Contemporary trends in scifi critisism, 1980-1999, SF studies, 78, 26, 2.
5. Mewadi, Devendra. (1984). 'Vigyan Katha Sahitya', Bhavisya, National Publishing House,
6. Mishra, Arvind. (1984). 'Saras Lok Vigyan', Lalit Kathayen, Fantasi aur Bhavisya Puran', Vigyan, 71, 11-12: 4-8.
7. Mishra, Arvind. (1989). 'Hamari Vigyan Kathaon me Vaigyanikata'. Bhartiya Bhashaon Me Vigyan Lekhan. Proceedings of National Symposium, Vigyan Parishad, Prayag : 223-228.
8. Mishra, Arvind. (1990). "Hindi Kahani Ki Ek Vismrit Hoti Parampara". Navbharat Times,
9. Mishra, Arvind. (1992) ' Mahaj Manoranjan Nahin Hain Vigyan Kathayen' Avishkar, Aug., 92: 322-325.
10. Mishra, Shivgopal. (1984). 'Hindi Upanyas, Tilism Tatha Kathayen' Vigyan, 71, 11-12 : 1-4,
11. Mishra, Shivgopal. (2000) 'Aascharya Vrittant'. Vigyan, 80, 2: 31-33.
12. Prasad, Shukdev. (2004). ' Vigyan Kathaon 'Ke Uts Ki Khoj' Bhartiya Vigyan Kathayen, (Edited). Kitab Ghar Prakashan,
13. Prasad, Shukdev. (2005). Vigyan Kathaon Ke Yaksh Prasn, Indian Journal of Science Communication, Vol 4, (2) July-Dec. 2005 : 13-22.
14. Rajnish, Zakir Ali., (2006). Personal Communication.
15. Singh, Ajay. (2002). Hindi Sahitya Me Vigyan Katha, Ph.D. Thesis,
16. Upadhyaya, R.R., Mishra, Arvind. (2000). Sanchar Madhyamo Ke Liye Vigyan Katha, Indian Science Fiction Writers' Association, Publi. Faizabad.
Saturday, July 7, 2007
NOTES AND COMMENTS
"sci fi in hindi"
10 Comments - Show Original Post Collapse comments
- arvind said...
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Chandralok ki yatra is not written by Kishorilal as mentioned but by Babu Keshav Prsad Singh.
5:51 AM
- arvind said...
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popular themes in hindi sci fi writing include memory transfer,planetary travels,mass transportation ,gm items etc.its very feretile field and writers are trying on many themes of their choice.
5:21 AM
- arvind said...
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Mr.Yugal kumar has also lately join the team of sf writers in india.
6:50 AM
- arvind said...
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sci fi writing is now gearing up in India,but writers are not often very certain of this genere's central idea.SF is basically an anachronous literature.So it should always be remembered that a sf story should not only depict the cotemporary world istead it should try to extrapolate the future of humanity.
6:49 AM
- Comment deleted
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This post has been removed by the blog administrator.
5:21 AM
- arvind said...
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No one seems interested in sf written in Hindi the official language of India,as no comments have been put on this page sice the post got published.IS ANY ONE ON EARTH interested in Indian sf?
6:48 AM
- santosh said...
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its really surprising that there is no taker of sf in hindi which is official language of India.Any explanation?
1:09 AM
- arvind said...
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still not any taker of Hindi sf!Its really surprising.come on please!
7:28 AM
- Zakir Ali 'Rajneesh' said...
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Badhayi.
Agar ise thoda aur vistar se de saken, to achcha ho.
Zakir Ali Rajneesh
zakirlko@gmail.com11:21 PM
- arvind mishra said...
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thaks zakir. please help me to expand it.
arvind8:59 AM
Indian science fiction writers association,India
It seems no one on the web is interested in Indian SF especially Hindi SciFi which is now coming out of a very long period of oblivion and annonimity.Recent efforts to popularize it by Indian sci Fi writers' Association(ISFWA) is commendable .ISFWA is an autonomous organization with at least 50 active sf writers as it's member.It's quarterly publication of sf stories' VIGYAN KATHA'is first of its kind in India.
Science Fiction Writers Meet In India
8th sci fi writers conference was inaugurated by messiah of Indian sci fi writing Jayant Narlikar.It was an unforgetable experience for me.Participants from many Indian languages and regions expressed their concerns over the state of sf writing in Hindi,Tamil,Marathi,Bengla.Assami,Kannad,Malayalam etc.Auarangabad,Maharastra,India thus became a launch-pad for making Indian scifi a global phenomenon.The dates of the great event ie11 and 12th nov 06shall remain with the golden tinge in history of Indian sci fi.Now looking forward to seeing such a nice event again possibly in Varanasi,cultural and spirutual city of India.
Indian scifi meets Jayant Narlikar
A grand scifi writers meet was organised by Indian assosiation of sci fi studies(IASFS),Vellore,Andhra Pradesh,India on 11th and 12th Nov 06 at Aurangabad,a historical city of Maharastra state of India in cllaboration with Marathi Vigyan Parishad and Viggyan Prasar,New Delhi.The event was inaugurated by messiah of Indian scifi, Jayant Narlikar who spoke at length on many aspects of sci fi,its defininition,good and bad scifi,Indianness in sci fi etc.It was infact 8th Indian scifi writers conference and was represented by warlords of sf writers of many Indian languages including Hindi,Bengla,Assami,Kannad,Marathi,Telagu,Malayalam etc.Another attraction of the event was a lively video conferecing with James Gunn,Head of scifi dept., kansas varsity,USA who inter-ailia spoke on cultural effects on scifi writing. President,IASFS Mr.Purusotthaman also delivered a lecture on scifi writings in different Indian languages.Prof.Narhari spoke on Indian response to world sf.The author of this blog presented an overview cn status of scifi writing in Hindi.Devendra Mewadi a veteran Hindi sf writer also spoke on Hindi sf, The event was a greaf success.
scifi writers in India
In addition to author of this blog,
Shri Devendra Mewari
Zakir ali Rajanish
Manish Mohan Gore
Zeeshan Haidar Zaidi
Ms.Kalpana Kulshresta
Swapnil Bhartiya AND Harish Goyal.
Yugal Kumar is yet another sf writer who has published a few stories
recently. He and his wife Ms Kalpana kulshresta are only couple who both are
writing sf in Hindi.Dr.Rajiv ranjan upadhyaya is president of Indian science fiction writers society and is actively engaged in promotion of the genre.HE HAS PUBLISHED FEW ANTHOLGIES OF HIS OWN STORIES. Other reputed sci fi writers are Jeeshan haider Zaidy and Amit kumar. The list is yet incomplete...